What do a church, a brewery, and an elementary school have in common? Each is home to art installations created by the Artifactory, a partnership between two Delaware County artists who work with those groups to create intricate mosaic pieces from recycled materials.
Now she and Corwin teach groups in central Ohio and beyond to create those free-form mosaics that are then installed as permanent works of art.
Along busy U.S. 33 in Mercer County, traffic often slows or even stops when drivers catch a glimpse of Karen Elshoff’s roadside stand.
After she read that story, she rounded up all the gourds and pumpkins she could get her hands on and painted them, just for fun. One year, she decided to take a load to a craft show in nearby Fort Recovery and, to her surprise and delight, she sold every single one.
Editor’s note: Port Clinton-based photographer and writer James Proffitt traveled hundreds of miles between countless railroad crossings on Ohio’s highways and back ro
To be certain, spray-painting railcars is illegal and dangerous. Most graffiti is born near rail yards in larger cities, like the Queensgate yard in Cincinnati, where the cars are plentiful and often don’t move for long periods of time.
Like many during COVID, Lillian Cooper and her mother, Clarissa, searched and searched for activities to do at home — all the better if they came upon an art form they hadn’t tried before.
Terri Riddle of Loveland, a painter who works mostly in oils and acrylics, got interested in quilling after her husband gave her a Cricut machine, which can cut paper in custom, specialized ways. Riddle had a project in mind, but realized she needed to learn quilling to finish the parts that the Cricut couldn’t handle — so she taught herself.
She finds quilling both satisfying and relaxing. “It’s a very beginner-friendly craft,” she says. “You can do it while watching TV, and the designs can be simple or more complex.”
At the end of a dead-end road in rural Hancock County, creativity unfolds in an unexpected yet aptly named setting — an open art studio called MONGallery, run by artist and entrepreneur Jennifer Sowders.
“Drawing was one thing, but adding a medium and learning to master that is a whole other world,” she says. “Art school definitely helped with that aspect, and today I call myself a painter.”
In 2017, she rekindled her passion through a plein air painting group with the Hancock Park District. She immersed herself in painting landscapes, experimenting with acrylics, palette knives, and vibrant watercolor on Yupo paper.
A Mac Worthington piece of art is almost instantly recognizable. Worthington’s work (he’s best known for his metal sculpture) can be found in public, private, and corporate collections across the country and around the world.
Worthington was born in Canton, the son of artists. His father, Jack, made many of the bronze busts in the Pro Football Hall of Fame. His mother, Marion, worked with enamel and silver.
Before turning to art, Worthington built washing machines, served in Vietnam, and worked for a finance company — all good experiences that proved useful when he opened his own galleries.
Louis Zona breathed a sigh of relief a couple of months ago when Snap the Whip safely returned to the Butler Institute of American Art in Youngstown.
The Butler was the first museum built solely for works by American artists, and for decades, Butler family members augmented its collection with masterpieces such as Albert Bierstadt’s The Oregon Trail and Edward Hopper’s Pennsylvania Coal Town. After Joseph G. Butler III died in 1981, Zona was appointed director. At the time, he chaired Youngstown State University’s art department, but his association with the museum began in the early 1970s. “My dissertation was about museum operations, and I used the Butler for my lab,” says Zona.
At the corner of Vine and West 8th in downtown Cincinnati, a giant mural covers the entire side of a six-story building. It depicts a colorful, swirling flock of birds: passenger pigeons, now extinct. The last passenger pigeon, Martha, died at the Cincinnati Zoo on Sept.
If it has to do with birds in or around Cincinnati, Ruthven probably was part of it.
Born in 1924, Ruthven knew he wanted to be a professional artist from an early age, preferably a wildlife artist. Like so many young men of that era, however, his dream was deferred by World War II; John enlisted in the U.S. Navy after he graduated from high school in 1943.
What are some lovable wild things, a colorful and very hungry caterpillar, and a big red dog — along with 16,000 of their friends — all doing in Findlay, Ohio?
There, Dan Chudzinski meticulously cares for thousands of works of original art from much-loved books like Where the Wild Things Are; The Very Hungry Caterpillar; Clifford the Big Red Dog series; The Cat in the Hat; Arthur the Aardvark; and many, many more.
“By day, I’m the curator here,” says Chudzinski, who also works as a professional artist. “I look after this amazing collection of children’s-book art and give people a reason to care about the art and experience it firsthand.”
Nancy Crow’s quilts hang in the Smithsonian and the Museum of Folk Art. They’ve been on exhibit in China, England, France, and other countries. Some of her quilts even appear on the covers of two of Maya Angelou’s books.
Surprisingly, for a fabric artist as accomplished as Crow is, she did not learn to sew when she was young. She became an avid knitter in high school, but didn’t create any fabric art until she took a course in tapestry weaving at Ohio State University. Her BFA and MFA degrees from the university were focused on ceramics art.
